Preface / Paul K. Bryant-Jackson and Lois More Overbeck
pt. I. The Life in the Work. 1. Adrienne Kennedy: An Interview / Paul K. Bryant-Jackson and Lois More Overbeck. 2. People Who Led to My Plays: Adrienne Kennedy's Autobiography / Werner Sollors. 3. The Life of the Work: A Preliminary Sketch / Lois More Overbeck
pt. II. Intersecting Dramatic Traditions. 4. Kennedy's Travelers in the American and African Continuum / Paul K. Bryant-Jackson. 5. Diverse Angles of Vision: Two Black Women Playwrights / Margaret B. Wilkerson. 6. Adrienne Kennedy and the First Avant-Garde / Elinor Fuchs. 7. Adrienne Kennedy through the Lens of German Expressionism / William R. Elwood. 8. Surrealism as Mimesis: A Director's Guide to Adrienne Kennedy's Funnyhouse of a Negro / Robert Scanlan
pt. III. Changing Boundaries: Interpretive Approaches. 9. Locating Adrienne Kennedy: Prefacing the Subject / Kimberly W. Benston. 10. Mimesis in Syncopated Time: Reading Adrienne Kennedy / Elin Diamond. 11. (Hetero)Sexual Terrors in Adrienne Kennedy's Early Plays / Rosemary Curb. 12. Kennedy's Body Politic: The Mulatta, Menses, and the Medusa / Jeanie Forte. 13. "A Spectator Watching My Life": Adrienne Kennedy's A Movie Star Has to Star in Black and White / Deborah R. Geis. 14. Critical Reflections: Adrienne Kennedy, the Writer, the Work / bell hooks
pt. IV. Performance as a Collaborative Art. 15. An Interview with Michael Kahn / Howard Stein. 16. An Interview with Gaby Rodgers / Howard Stein. 17. An Interview with Gerald Freedman / Paul K. Bryant-Jackson. 18. An Interview with Billie Allen / Paul K. Bryant-Jackson and Lois More Overbeck. 19. Developing a Concert for the Spoken Voice: Solo Voyages, and an Interview with Robbie McCauley / David Willinger.
