This work complements Sidney Homan's earlier prize-winning study, Beckett's Theatres: Interpretations for Performance, which combined metadramatic and performance criticism emerging from a tour of Florida's ten state prisons with a production of Waiting for Godot. The present volume grew out of the author's own sense that his work in the theater was distorting his understanding of Beckett's plays for television, that here the aesthetics of the medium...