"The unauthorized, behind-the-scenes story of the stunning rise--and suddenly uncertain reign--of the most transformative cultural phenomenon of our time: the Marvel Cinematic Universe. Marvel Entertainment was a moribund toymaker not even twenty years ago. Today, Marvel Studios is the dominant player both in Hollywood and in global pop culture. How did an upstart studio conquer the world? In MCU, beloved culture writers Joanna Robinson, Dave Gonzales,...

"From grand follies to misunderstood masterpieces, disastrous sequels to catastrophic literary adaptations, Box Office Poison tells a hugely entertaining alternative history of Hollywood, through a century of its most notable flops. What can these films tell us about the Hollywood system, the public's appetite--or lack of it--and the circumstances that saw such flops actually made? Away from the canon, this is the definitive take on these ill-fated,...

"The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.'s...

"A highly illustrated analysis of fictional sporting events from twenty-six popular movies, including imagined tickets to the competitions, play maps, and other ephemera"--

"Phillip Lopate fell hard for the movies as an adolescent. As he matured into an acclaimed critic and essayist, his infatuation deepened into a lifelong passion. My Affair with Art House Cinema presents Lopate's selected essays and reviews from the last quarter century, inviting readers to experience films he found exhilarating, tantalizing, and beguiling -- and sometimes disappointing or frustrating -- through his keen eyes." --

A trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap, and Ridgemont High; of MTV, VHS, and "Axel F"; of outsiders, lost boys, and dead poets; of Bill and Ted, Brooke Shields, and the Brat Pack; of three Porky's flicks, two Coreys, and one summer when "Baby" refused to be put in a corner. -- amazon.com

"Horror movies can reveal much more than we realize about psychological disorders--and clinical psychology has a lot to teach us about horror. Our fears--mortality, failure, loneliness--can be just as motivating as our wishes or desires. Horror movie characters uniquely reveal all of these to a wide audience. If explored in an honest and serious manner, our fears have the potential to teach us a great deal about ourselves, our culture, and certainly...

"This book historically examines film noir visual style, aesthetic technique, and the technological, industrial, and material production conditions which contributed to the multifaceted evolution of film noir from its 1940s emergence in wartime to its changing nature in the postwar era, through neo-noir's reimagining of the chiaroscuro imagery of classic noir visual style to its transnational production/reception context in a global digital media...

"Walter Hill's The Warriors was not just a motion picture--it was a social phenomenon on every level. The tale of a Coney Island street gang who, framed for murder, have to make the perilous journey back to home turf across the terrain of rival crews out for revenge, it caused a sensation when it hit the theaters in early 1979. Despite a low budget, an absence of marquee names, and minimal promotion, it proceeded to lead the box office, devoured by...

“The most powerful, loved, and hated film critic of her time.” – Roger Ebert on Pauline Kael (1919-2001). In a field that has historically embraced few women film critics, Kael was charismatic, controversial, witty, and discerning. Her decades-long berth at The New Yorker energized her fans (“Paulettes”) and infuriated her detractors on a weekly basis. Her turbo-charged prose famously championed the New Hollywood Cinema of the late 1960s...